978-1-56689-163-9
$16.00
6 x 9
161 pages
Paperback Poems

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Shut Up Shut Down
Reviews

Amiri Baraka, from the afterword:
“Nowak relies on his life as a person…with the sturdy underpinning of class…and brings it back, humming. And sleek with seeing and hearing! We get a sharp eye, a literary & philosophical broadening of what used to be labeled ‘working class poetry,’…deepened with a hard but contemporary lyric and narrative. A much needed parade.”

Adrienne Rich:
“I could liken this book to a verse drama or film in which voices mix and cross, documentary history meshes with dialogue, photography is framed and given meaning by language. But the cumulative effect of Shut Up Shut Down outdistances such description. The several long poems that make up this book build into each other with devastating force and understatement, breaking poetic boundaries, regenerating the rich tradition of working-class literature. Nowak is a highly gifted and conscious artist, carrying, like the oldest bards, a group narrative which must be told if his listeners are to understand who they are and on what their lives depend—and this, in our time, means all of us.”

David Roediger:
“‘Labored’ is the last adjective most artists would want to see applied to their work. But Mark Nowak's Shut Up Shut Down threatens to change that. Elegant and inventive in form—mixing plays and photography with poetry—it is labored in that other best sense of the word. Nowak captures the lives, freedom dreams, hurts and struggles of working women and men amidst repression, racial division and deindustrialization. Songs and statistics mix promiscuously in verses deeply informed by a knowledge of labor history and an ear for working class speech. This is a work as powerful in its hope as in its indictment of misery.”

Rodrigo Toscano:
“As the (historical) segmentation & atomization of the American Working Class continues, a potentially debilitating neutralization of its culture occurs. Its artistic trajectories are not only constantly under siege (erased, minimized, distorted) but also exploitatively appropriated, repackaged, and all-too-often defused of their radical democratic potential. It is in the very midst of this cultural-political crisis that new forms of intelligence, resilience, and social innovation suddenly rebound onto the stage. Mark Nowak’s writing is part and parcel of this process. Shut Up Shut Down’s carefully textured narratives are not of the ‘recovery’ variety, but rather are born of a bold projection of a class’s needs and desires. Ethnographic insight and methodology is coupled with contemporary techniques of narrative sampling (with all the funkiness that comes with it). The result is a strident constructivist aesthetics that dares to speak to its own of a democratic vision, while at the same time putting the Ruling Interests on notice. Now, that’s entertainment!”

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